The Graduate Student Caucus is pleased to announce the first GSC-sponsored Twitter Book Discussion!
While the past year has been extremely difficult and isolating for all of us, we at the GSC firmly believe that connection and conversation are and should be the backbone of comics studies. We know that Twitter doesn’t replicate the actual fun and messiness of an in-person conversation, but we hope to foster a discussion that is thought-provoking, fun, and tides us over until we can be in-person again!
This year’s text will be Qiana Whitted’s EC Comics: Race, Shock, & Social Protest published by Rutgers University Press as a part of the Comics Culture series and winner of the 2020 Eisner Award for Best Academic/Scholarly Work.
The conversations will begin with questions crafted by members of the board of the Graduate Student Caucus, but we hope you will bring your own questions, insights, and ideas about the book as well!
Check out the poster below for more information and be sure to get your copy of EC Comics and follow the Graduate Student Caucus on Twitter so you can read and talk with us starting Monday, March 8th.
You can get your copy of the book directly from Rutgers UP.
The Comics Studies Society (CSS)
recognizes outstanding contributions to the study of comic art with five annual
prizes: the CSS Article Prize, the Hillary Chute Award for Best Graduate
Student Conference Presentation, the Gilbert Seldes Prize for Public
Scholarship, the Charles Hatfield Book Prize, and the new CSS Prize for Edited
The CSS defines comic art liberally to include all forms of cartooning, sequential art, and graphic narrative: comic strips, comic books, papers, and magazines; albums, graphic novels, and other graphic books; webcomics andS other electronic formats; single-panel cartoons, including editorial and gag cartoons; caricature; animation; and other related forms and traditions.
The CSS is currently soliciting nominations for all five prizes, which will be awarded at the 3rd Annual Conference of the Comics Studies Society at Henderson State University in Arkadelphia, Arkansas (August 5-8, 2020). Winners will receive a $300 cash award and a plaque. Please see http://comicssociety.org/conference/ for conference details.
Nominations for the CSS prizes may be
historical, biographical, critical, analytical, pedagogical, and/or
bibliographical in focus.
Nominations should draw on original research,
acknowledge and advance existing scholarship where relevant, and include
Reprints of or excerpts from previously
published works are not eligible for prizes.
Nomination process: Peer nominations and self-nominations are welcomed. Nomination letters are due March 15, 2020. The letter of nomination should do the following:
Identify the work’s complete title, author(s)
name(s), publisher, and original copyright date.
Include means of access to a complete digital
copy of the work that members of the CSS Prize Committee can access as needed
(alternately, for works native to print and best viewed in print, nomination
requires three complete physical copies of the published book or article to be
sent via mail).
Nominations and inquiries should be sent by email to the CSS Awards Coordinator, Biz Nijdam, at firstname.lastname@example.org. Instructions on mailing physical copies will be provided in reply.
Judging and awarding process: Nominees for each prize will be reviewed by a committee of not less than three members of the Comics Studies Society, as chosen by the CSS Executive Board, including the Awards Coordinator or their designee. Prize winners will be notified by June 15th, and announcements will be published on the CSS website and in Inks: The Journal of the Comics Studies Society.
In an effort to amplify not only the voices of graduate students and contingent faculty but also events central in comics studies, it is our pleasure to feature this post by Panel Coordinator Zack Kruse on the 2020 MSU Comics Forum.
One of the great joys of my academic life is being a part of the Comics Forum at Michigan State. Before coming to MSU for my Ph.D. program, I attended the Forum for a number of years as both a comics maker and a nascent scholar. In fact, a major part of my motivation for coming to MSU was that the Comics Forum’s director, Ryan Claytor, asked me to join him on the Forum to develop a more robust slate of academic panels. Since taking on that role in 2015, the academic panels have doubled in number in each subsequent year. I’m really proud of that not because we’ve collected more scholars to populate panels but because I think that we’ve helped the Comics Forum become one of the places where new and interesting ideas in Comics Studies are being incubated and hatched. One of the ways we’ve been able to achieve that is by emphasizing the role of graduate students as generators of those new and significant ideas.
As a part of our aim to develop a
sort of critical boutique, incoming-Panel-Coordinator Julian Chambliss and I
have shifted the Forum’s attention to critical discourses in Comics Studies
that we believe will help amplify the important work being done by emerging
scholars, as well as scholarship that may have been on the periphery of earlier
conversations. So, for the 2020 Comics Forum, we have made a deliberate effort
to draw attention to the foundational work provided by comics librarians
through critical librarianship and the absolutely crucial work archival work also
being done by librarians. In conjunction with our interest in archival work,
we’re also looking towards the Digital Humanities as a place for Comics Studies
to flourish by thinking through how collections operate as data. In other
underserved areas, we have partnered with MSU’s Graphic Narratives Network to
include programming that focuses on the important work being done in
non-Anglophone comics and comics in translation—a partnership that emerged,
largely, because of the outreach done by current GSC President, Biz Nijdam,
when she and I first connected in 2015. We have also been intentional in our
panel formation to ensure that we platform some of the most important ongoing
conversations in comics studies, particularly those involving race and
identity. However, what all these efforts bank on are not our good intentions
but the phenomenal work being done by so many of us in graduate programs and
Of course, many of our friends and mentors in tenured positions are doing incredible work that helps sustain the field, and we rely on those voices at the Comics Forum, too. But what I think we’ve been most successful at during my time with the Forum is developing an open and inviting space for scholars who may not have access to larger events. And, in so doing, we have uniquely positioned ourselves to be a forum for young, fresh ideas in the field. To ensure that accessibility, the Comics Forum does not charge registration fees of any kind—even though this may be a relatively small gesture, it’s one that is meant to be in comity and solidarity with those scholars who are most underserved or for whom such fees limit their ability to participate.
The 2020 MSU Comics Forum will be
held on February 21-22 at the Michigan State University Library. Our artist
keynote will be delivered by Emil Ferris (My Favorite Thing Is Monsters)
and our scholar keynote will be delivered by Nick Sousanis (Unflattening).The Forum also features a full artist alley, which shares a floor
space with our academic panel rooms. The deadline for proposals is Monday,
September 23. The CFP can be viewed and proposals can be submitted at:http://www.comicsforum.msu.edu/forms/
I hope to see you there!
Zack Kruse is a Ph.D. candidate
in English at Michigan State University, and his first monograph, Mysterious
Travelers: Steve Ditko and the Search for a New Liberal Identity, is in
press at the University Press of Mississippi. He is currently the panel
coordinator of the Michigan State University Comics Forum, and he previously
served as the Managing Editor of The Journal of Popular Culture. With a
unique blend of good-natured comity and over-the-top bravado, he will gladly
tell you about all of the other comic booky stuff he’s done at the earliest
opportunity. He can be found on Twitter at @zackkruse.