The recent elections for the Executive Board both in CSS and in the Grad Caucus has brought new scholars into leadership roles. We want to continue highlighting the new board members as they step into these roles. This week, we focus on the new Vice President of the Graduate Student Caucus, Evan Ash, who is a Ph.D. student in History at the University of Maryland.
How long have you been involved with CSS? What brought you to CSS?
I have been involved with CSS since shortly before its 2019 conference. Like many important things in my life, I can’t remember exactly what brought me to CSS. Probably a lucky Google.
What was the first comic that you remember reading, or the first that really had an impact on you as a reader?
I started to get more interested in comics after seeing The Dark Knight Rises in 2012. I think Watchmen was the first comic that I can recall reading, but Preacher was probably the first series I read all the way though in the summer of 2014.
What are you reading now that you think others should look into?
I’ve been reading some older Justice Society comics, and wrapped up America vs. The Justice Society. I’ve also been reading Ben Katchor’s Cheap Novelties: The Pleasures of Urban Decay. Those comic strips are rich for analysis in many ways.
What comics scholar has most impacted your current research, and why?
Amy Kiste Nyberg wrote the book (Seal of Approval: The History of the Comics Code) that pointed me to the eventual topic of my MA thesis. She was influential in the personal development of that project as well, serving as a reader and meeting with me out in New Jersey.
Is there any recent shift in the field of comics studies that you are particularly excited about?
I’m eager to keep broadening the historical dimensions of comics studies. There have been a few books recently (for example, by Lara Saguisag and Qiana Whitted) that have interested me, but that I just haven’t had the time to get through them yet.
Who is the comics writer/artist/scholar that has most influenced the way you think about the field?
Carol Tilley, without a doubt. Her observations about youth, power, and censorship have been integral in my thinking, writing, and research. I’m very lucky to be able to count Carol as a treasured mentor.
If you could choose one comic writer or artist to meet who would it be and why?
I would love to meet Leah Williams. She’s probably the current writer that I’ve read the most, and I really enjoy her social media presence.
What are you currently working on and do you have plans for future projects?
I’m very busy finishing up Ph.D. coursework, but I’m writing a dissertation prospectus that focuses on American anti-comics criticism, moral politics, and their impact on children set within midcentury America.
I have a paper that I’m hoping to whittle down into an article on the partnership that National Comics (now DC) had with the National Social Welfare Assembly to produce public service comics. I also have an entry in the forthcoming Encyclopedia of the American Left on left-wing graphic novels since 2000 and an article on a decent literature group in my hometown of Green Bay, WI coming out Fall 2020/Winter 2021. As long as it is still happening, I will be presenting at ICAF@SPX on my National-NSWA project.
As far as future desires are concerned, I’m plotting a web article on portrayals of the 1950s in modern comics, and far down the road, I would love to start an edited collection that expands historical thinking about the American anti-comics movement beyond Fredric Wertham and the senate hearings that transpired.
How can folks get in contact with you to talk more about comics or your research?
For serious questions and conversations, my email inbox (email@example.com) is always open, and I’m eager to build working relationships.
If you just want to see what’s up, follow me on Twitter @evanthevoice.
Stay tuned for more Meet the Board interviews in the coming weeks!